Price commented on how Godfrey’s lens focused on the indelible scars
that mining has left: socially, environmentally and health-wise. He
spoke passionately about the images that examine the impact mining has
had on the landscape: “the beautiful landscapes poisoned by acid water,
landscapes pitted with dangerous sinkholes threatening to swallow up
houses and human beings, and landscapes spewing toxic dust that destroys
the lungs of the children who play there.”
He noted the images of communities living nearby mines where workers
scavenge for the last residues of gold. Godfrey had focused on
communities and their habitats – the houses, shacks and rubbish dumps
they inhabit. He also pictured the deserted ghost towns that were left
in the wake of a closed mine: “the sad, desperate tiny communities that
have nowhere to go after a mine closes”. Price highlighted the large
number of Zimbabweans who feature in Godfrey’s images and, in
particular, the fascinating photographs of the “Zama-zamas”. He said
they are the people who enter the disused mine shafts illegally, living
for up to six months underground in order to scavenge and extract a few
grams of gold. They take enormous risks under desperate circumstances,
often falling to their death in the disused shafts.
http://jacana.bookslive.co.za/blog/2013/08/26/ilan-godfreys-legacy-of-the-mine-launched-at-the-irma-stern-museum-with-max-price/
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